Questõesde SÃO CAMILO

1
Foram encontradas 139 questões
795de9f1-06
SÃO CAMILO 2019 - Física - MCU - Movimento Circular Uniforme, Cinemática

O ciclista profissional Evandro Portela atingiu a maior velocidade já obtida com uma bicicleta convencional, batendo o recorde mundial de velocidade, com uma marca de 202 km/h. O que chama atenção na bike é o tamanho da coroa, de 105 dentes.



(“A 202 km/h, brasileiro registra recorde mundial de velocidade em
bicicleta”. vadebike.org, 28.11.2017. Adaptado.)

Considere que a coroa de 105 dentes, no centro da bicicleta, possui um perímetro externo P = 1 m, que o raio da catraca utilizada é 10 vezes menor do que o da coroa e 15 vezes menor que o raio da roda traseira, conforme o esquema a seguir:



No momento em que o ciclista está à velocidade de 201,6 km/h, a frequência de giro da coroa é de, aproximadamente,

A
13,4 Hz.
B
0,6 Hz.
C
3,7 Hz.
D
22,3 Hz.
E
56,0 Hz.
795a9d41-06
SÃO CAMILO 2019 - Física - Leis de Kepler, Gravitação Universal

A primeira imagem de um buraco negro foi revelada pela Fundação Nacional de Ciências. A foto disponibilizada mostra um buraco negro no centro da enorme galáxia Messier 87, localizada no aglomerado vizinho de Virgem, a 5 milhões de anos- -luz da Terra.



(“Foto de um buraco negro é revelada pela primeira vez na história”.
https://revistagalileu.globo.com, 10.04.2019. Adaptado.)

Considerando que um ano-luz é a distância percorrida pela luz em um ano, no vácuo, com velocidade de 3 × 108 m/s e que um ano possui aproximadamente 3,15 × 107 s, a distância entre esse buraco negro e a Terra é próxima de

A
3,2 × 107 km.
B
4,7 × 1019 km.
C
9,5 × 1012 km.
D
4,7 × 1022 km.
E
9,5 × 1015 km.
7956f4fe-06
SÃO CAMILO 2019 - Inglês - Sinônimos | Synonyms

In the last panel, “miserable” means the same as

Leia a tirinha para responder à questão.


(Stephan Pastis. “Pearls Before Swine”. www.gocomics.com, 22.04.2019.)
A
appealing.
B
strange.
C
simple.
D
depressing.
E
unreliable.
7952bba5-06
SÃO CAMILO 2019 - Inglês - Interpretação de texto | Reading comprehension

No diálogo entre as personagens Pig (porco) e Goat (cabrito), Pig

Leia a tirinha para responder à questão.


(Stephan Pastis. “Pearls Before Swine”. www.gocomics.com, 22.04.2019.)
A
interpreta erroneamente a primeira pergunta de Goat.
B
acredita que os sonhos de Goat não condizem com a realidade.
C
afirma estar estressado por não encontrar um bom emprego.
D
explica que não se recorda da última vez em que esteve empregado.
E
critica Goat por este não perseguir o emprego de seus sonhos.
794fbaf9-06
SÃO CAMILO 2019 - Inglês - Tradução | Translation

No trecho “But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society” (7° parágrafo), a expressão sublinhada tem sentido equivalente, em português, a

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
através de.
B
em vez de.
C
desde que.
D
assim que.
E
mesmo que.
794be367-06
SÃO CAMILO 2019 - Inglês - Sinônimos | Synonyms

In the excerpt “that’s a special skill” (6th paragraph), the underlined word can be replaced, without changing the meaning of the sentence, by

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
reward.
B
tip.
C
ability.
D
honor.
E
peculiarity.
794810cc-06
SÃO CAMILO 2019 - Inglês - Interpretação de texto | Reading comprehension

No trecho “they come from a time when all stories were fantasy” (5° parágrafo), o termo sublinhado refere-se a

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
“academics”.
B
“Beowulf or Homer’s The Iliad”.
C
“origins of fantasy”.
D
“stories”.
E
“gods and monsters”.
7944fba5-06
SÃO CAMILO 2019 - Inglês - Tradução | Translation

O sentido do trecho sublinhado em “fantasy books offer a chance to break out of mundane moments” (4° parágrafo) está mantido, em português, do seguinte modo:

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
uma possibilidade momentânea de transformar a rotina.
B
a possibilidade de se distrair cotidianamente.
C
uma oportunidade de escapar de momentos tediosos.
D
a oportunidade de ignorar temporariamente o cotidiano.
E
uma chance momentânea de melhorar a rotina.
7940aff7-06
SÃO CAMILO 2019 - Inglês - Grau dos adjetivos | Adjective degrees, Adjetivos | Adjectives

O trecho sublinhado em “the genre is as broad as the imagination” (3° parágrafo) expressa uma

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
suposição.
B
alternância.
C
comparação.
D
conclusão.
E
crítica.
793c3b32-06
SÃO CAMILO 2019 - Inglês - Interpretação de texto | Reading comprehension

According to the author, the “unprecedented fantasy boom” (2nd paragraph) is related to the fact that

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
modern society is surrounded by illogical information.
B
the fantasy genre is nowadays as well-crafted as academic literary fiction.
C
people demand the irrational in fiction as the world gets too rational.
D
academics have valued the fantasy genre, comparing it to Homer’s The Iliad.
E
the genre proposes plausible ideas of how society will develop in the future.
79389c79-06
SÃO CAMILO 2019 - Inglês - Palavras conectivas | Connective words

No trecho “Yet while sheltering in a bookshop from the rain” (1° parágrafo), o termo sublinhado indica ideia de

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
finalidade.
B
causa.
C
conclusão.
D
consequência.
E
oposição.
791498b7-06
SÃO CAMILO 2019 - História - História Geral, Movimentos de Reforma Religiosa: protestantes e católicos

Um aspecto importante do calvinismo é a valorização moral do trabalho e da poupança, que resulta numa situação de bem-estar social e econômico, o que poderia ser interpretado como sinal favorável de Deus à salvação do indivíduo.

(Fernando Seffner. Da Reforma à Contrarreforma, 1993.)

Da afirmação, depreende-se que o calvinismo

A
valorizou o indivíduo como agente de sua própria salvação, o que eliminava o papel de Deus e do clero no processo.
B
contribuiu para o desenvolvimento do capitalismo, pois o trabalho e o enriquecimento tinham uma justificativa religiosa.
C
implicou o confisco das propriedades eclesiásticas, que foram distribuídas ao povo a fim de garantir seu bem-estar.
D
reforçou as estruturas feudais de dominação, uma vez que a acumulação de riquezas era necessária à salvação.
E
contrariou a teoria da predestinação, já que a prosperidade econômica era incompatível com a austeridade puritana.
792b2d33-06
SÃO CAMILO 2019 - História - História Geral, A estruturação do Estado norte-americano : território, cidadania e política

Essa guerra marcou profundamente a história dos Estados Unidos porque

Leia o excerto para responder à questão.

     A Guerra Civil norte-americana (1861-1865) merece a atenção do estudante brasileiro por diversos motivos. Primeiro, foi uma guerra que marcou profundamente a evolução histórica dos Estados Unidos da América. [...] Em segundo lugar, esta guerra lembra vários aspectos da história do Brasil quando questões semelhantes surgiram.

(Peter L. Eisenberg. Guerra civil americana, 1984.)
A
o modelo de capitalismo do Sul impôs-se ao restante do país, garantindo a hegemonia dos valores puritanos sobre a sociedade.
B
o sistema federativo consolidou-se, possibilitando a formação de novos partidos políticos de diferentes ideologias.
C
a opção belicista orientou a política externa, legitimando intervenções militares na América no período entre as guerras mundiais.
D
a questão racial agravou-se, sendo os direitos civis dos afro-americanos efetivamente reconhecidos na década de 1960.
E
o crescimento econômico após o conflito impediu crises cíclicas do capitalismo, assegurando a estabilidade no país.
7927c732-06
SÃO CAMILO 2019 - História - História Geral, A estruturação do Estado norte-americano : território, cidadania e política

Uma dessas “questões semelhantes” refere-se

Leia o excerto para responder à questão.

     A Guerra Civil norte-americana (1861-1865) merece a atenção do estudante brasileiro por diversos motivos. Primeiro, foi uma guerra que marcou profundamente a evolução histórica dos Estados Unidos da América. [...] Em segundo lugar, esta guerra lembra vários aspectos da história do Brasil quando questões semelhantes surgiram.

(Peter L. Eisenberg. Guerra civil americana, 1984.)
A
ao processo político, pois partidos ideologicamente opostos ameaçaram a estabilidade dos governos estadunidense e brasileiro.
B
à escravidão, pois a abolição resultou de um conflito armado entre aristocratas e burgueses, tanto nos EUA quanto no Brasil.
C
à política de terras, pois a distribuição de pequenos lotes a imigrantes e libertos predominou nos EUA e no Brasil após 1850.
D
à política alfandegária, pois o Norte dos EUA defendia o liberalismo, assim como os industriais do Império brasileiro.
E
ao separatismo, pois o Sul dos EUA declarou sua independência e o Brasil enfrentou revoltas separatistas no Império.
79201cfb-06
SÃO CAMILO 2019 - História - História do Brasil, Brasil Monárquico – Segundo Reinado 1831- 1889

A conciliação dos anos 1850 mostrou ser uma estratégia eficiente de estabilização da monarquia e constituiu-se numa experiência clássica da vida política brasileira: os setores hegemônicos das elites equilibraram suas divergências internas e mantiveram o controle do Estado — sem conceder nenhuma grande mudança na ordem social e institucional.

(Francisco M. P. Teixeira. História concisa do Brasil, 1993. Adaptado.)

Os “setores hegemônicos das elites” mencionados pelo historiador eram

A
as camadas médias das grandes cidades.
B
os burgueses industriais do interior paulista.
C
os cafeicultores do Vale do Paraíba e do sul de Minas.
D
os criadores de gado do pampa gaúcho.
E
os senhores de engenho do litoral nordestino.
791ca5e4-06
SÃO CAMILO 2019 - História - História do Brasil, Processo de Independência: dos movimentos nativistas à libertação de Portugal

O processo de independência do Brasil é, comumente, datado a partir de 1808, com a chegada da família real portuguesa ao Brasil. A verdade dessa proposição reside, em especial, na montagem pelo príncipe, e depois rei, João VI, de um aparelho governamental no Brasil. Ao mesmo tempo, são substituídos os institutos de caráter colonial.

(Hamilton de Mattos Monteiro. “Da independência à vitória da ordem”.
In: Maria Yedda Linhares. História geral do Brasil, 2016.)

As afirmações do excerto podem ser exemplificadas pela

A
implantação de órgãos legislativos de caráter liberal no Brasil e pela adoção do protecionismo fiscal e alfandegário.
B
organização de um sistema federativo no Brasil e pela concessão de liberdade de culto a todas as camadas sociais.
C
transformação do Rio de Janeiro em um centro cultural aglutinador e pela abolição dos privilégios e preconceitos sociais.
D
elevação do Brasil à categoria de Vice-Reino e pelo fim do tráfico negreiro devido à pressão diplomática inglesa.
E
criação de uma estrutura político-administrativa centralizada no Rio de Janeiro e pela extinção do monopólio comercial.
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SÃO CAMILO 2019 - História - Período Colonial: produção de riqueza e escravismo, História do Brasil

No plano socioeconômico, [os indígenas] foram cruciais na montagem do complexo açucareiro na Bahia quinhentista, e mesmo no avançar o século XVII, pois a escravidão de origem africana só tomou impulso após exaurirem-se gerações de indígenas pelo trabalho escravo, pela guerra e por doenças. No planalto paulista, a mão de obra indígena escravizada foi a base para o que se chamou, com certo exagero, de “celeiro do Brasil”, labutando na produção de trigo e, sobretudo, de milho.

(João Fragoso e Roberto Guedes. “Apresentação”. In: João Luís R. Fragoso e Maria de Fátima Gouvêa (org.). O Brasil Colonial, vol. 3, 2014. Adaptado.)

O excerto faz referência

A
aos resultados da mortalidade dos indígenas na colonização do interior.
B
aos lucros do tráfico negreiro para a Coroa e a burguesia metropolitana.
C
à utilização de mão de obra escrava africana na agricultura de subsistência.
D
à primazia do trabalho escravo indígena sobre o africano no açúcar e no ouro.
E
à importância econômica da mão de obra indígena na América Portuguesa.
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SÃO CAMILO 2019 - Inglês - Interpretação de texto | Reading comprehension

According to the first paragraph, the author reveals that he first got interested in the literary fantasy genre

Leia o texto para responder à questão.

The fantastic appeal of fantasy


The fantasy genre starts where science ends

     Few things can brighten up a dark morning in a Scottish seaside resort during an Atlantic storm. Yet while sheltering in a bookshop from the rain, I had a moment of sunny revelation. Stacked almost as high as my 11-year-old self were copies of The Lord of the Rings, with a cover illustration that promised mystery and magic. That chance discovery started a lifelong love of the fantasy genre1 , both as reader and writer. 
   The fantasy genre has had more and more success, but today we’re in the middle of an unprecedented fantasy boom. Sales continue to rise and it is now the biggest genre in publishing. The more rational the world gets, with super-science all around us, the more we demand the irrational in our fiction.
     Fantasy is not simply a case of swords2 and sorcery3 . Yes, there is that by the shelf. But the genre is as broad as the imagination. The genre starts where science ends.
    “In these modern times, where most of us sit at computers, fantasy books offer a chance to break out of mundane moments,” says Mark Newton, an editor with the genre. “People like to explore themes that go beyond the limited palette that literary fiction claims to offer.” 
     A search for the origins of fantasy will usually have academics muttering about Beowulf or Homer’s The Iliad, but they come from a time when all stories were fantasy: gods and monsters and supernatural artefacts with humanity caught in the middle. The first modern fantasy writer is usually considered to be William Morris, in the late 19th Century. But it was the early 20th Century where fantasy really started to gain status.
     Fantasy fiction has always been about visionary ideas. You can get artful words in plenty of literary fiction, but being able to see beyond the boundaries4 of the world around us — now that’s a special skill.
     I don’t write fantasy fiction simply to provide a trapdoor5 from the real world. For me, the genre is about the reality. But instead of coming up against it, fantasy maps the unconscious aspirations of our modern society through allegory in story- -forms as old as humanity. It’s about turning off the mobile phone and the computer and remembering who we are in the deepest parts of ourselves.

(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)

1genre: gênero. Categoria distintiva de composição literária, como romance, poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
A
when, as an adult, he needed something to escape from the real world.
B
because for him, as an adult, the genre offered the possibility of turning off the mobile phone.
C
when, as a child, he saw the inspiring cover illustration of a book.
D
because, as a child, he was bored by his work at the computer.
E
when, as a child, he had become tired of traditional literary fiction.
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SÃO CAMILO 2019 - História - História Geral, Antiguidade Ocidental (Gregos, Romanos e Macedônios)

Sob o ponto de vista militar, houve duas atividades: a abertura do exército aos “bárbaros” e a instalação de povos germanos no território romano.
Uma outra política mostrou-se mais perigosa para a integridade do Império: a instalação de povos inteiros, organizados e não assimilados em território romano. Por meio de um contrato com Roma, os povos “bárbaros” ocupavam as terras romanas e, em troca, forneciam ao governo imperial um certo número de soldados.

(Maria Sonsoles Guerras. Os povos bárbaros, 1987. Adaptado.)

Apesar de “perigosa”, essa política do Império Romano apresentou, como vantagem,

A
a defesa das fronteiras contra outros povos, fossem germanos ou não.
B
o fornecimento de escravos para a produção agrícola nos latifúndios.
C
o processo de absorção dos costumes bárbaros pelos romanos.
D
a estabilidade política, com a participação de bárbaros no governo.
E
a substituição dos voluntários romanos por guerreiros profissionais.
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SÃO CAMILO 2019 - Geografia - Cartografia, Projeções e Representações

Analise o quadro.

Técnica de construção de mapas temáticos

1. fazer um levantamento de dados pontuais com coordenadas conhecidas
2. transferir os dados coletados para um mapa
3. estabelecer a amplitude máxima entre os valores dos dados
4. determinar as classes a serem representadas
5. traçar, por algum método de interpolação, a isolinha estabelecida pela classe calculada

(Paulo R. Fitz. Cartografia básica, 2008. Adaptado.)

A técnica descrita permite a construção de um mapa de

A
regiões hidrográficas.
B
florestas remanescentes.
C
temperaturas médias.
D
deslocamentos populacionais.
E
distribuição dos solos.