Questõesde UECE 2010 sobre Inglês

InícioTodas as questões
1
1
1
Foram encontradas 78 questões
05c9ffd2-b7
UECE 2010 - Inglês - Tempos Verbais | Verb Tenses

When Peter arrived at the airport, the plane


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
had just left.
B
leaves.
C
leaving.
D
will have left.
05c63597-b7
UECE 2010 - Inglês - Tempos Verbais | Verb Tenses

Sheila would have gone to the party if she...


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
knows about it.
B
had known about it.
C
has known about it.
D
will know about it.
05c32cf1-b7
UECE 2010 - Inglês - Tempos Verbais | Verb Tenses, Análise sintática | Syntax Parsing

The sentence: “We can hardly avoid using the term (realism) on occasions, particularly when we mean to suggest that a work of literature has verisimilitude or in some way possesses that kind of authenticity which is generally believed to be an essential quality in a work of literature.” contains a/an


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Adjective clause.
B
Past continuous tense.
C
Conditional clause.
D
Future continuous tense.
05c01f85-b7
UECE 2010 - Inglês - Tempos Verbais | Verb Tenses, Passado perfeito progressivo | Past perfect continuous, Passado progressivo | Past continuous

In terms of verb tenses, the clauses in the sentence: ”The realist novelists were in many ways continuing in a more intensive and conscientious fashion what Balzac had been doing years before in ‘La Comédie Humaine’.” are respectively in the


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Simple past and past perfect.
B
Past continuous and past perfect continuous.
C
Past perfect continuous and past continuous.
D
Past continuous and present perfect.
05bd1cc3-b7
UECE 2010 - Inglês - Voz Ativa e Passiva | Passive and Active Voice

The sentences: “… most writers have been concerned with reality (and therefore with some attempt at some form of realism) since the year dot.”, “The use of the terms real and realistic clearly implies their antithesis, like unreal and unrealistic, fantastic, improbable, fanciful, of the dream world.” and “That recognizable and conscious movement in literature was subsequently tagged realism.” are respectively in the


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
passive, active, active.
B
passive, active, passive.
C
passive, passive, passive.
D
active, passive, active.
05b3b418-b7
UECE 2010 - Inglês - Tempos Verbais | Verb Tenses, Presente perfeito | Present perfect

The sentences: “In recent years attempts at more acute realism have quite often led to excesses…” and “In fact the quest for truth and accuracy has degenerated on occasions into mere sensationalism.” are respectively in the


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Present perfect and present continuous.
B
Present perfect and present perfect.
C
Simple present and present perfect.
D
Past perfect and simple present.
05af2f67-b7
UECE 2010 - Inglês - Análise sintática | Syntax Parsing

The sentences: “The ultimate in psychological realism is the use of the stream of consciousness method.” and “This kind of realism, too, has often resulted in a kind of decadence as authors dig deeper and further and with greater relish into the scatological and orectic chaos of the conscious and subconscious territories.” contain respectively a/an


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Subject complement and adverb clause.
B
Object complement and adverb clause.
C
Subject complement and adjective clause.
D
Object complement and adjective clause.
05ab9a70-b7
UECE 2010 - Inglês - Tempos Verbais | Verb Tenses, Substantivos: definição e tipos | Nouns: definition and types

In the sentence: “Realism occurs in another important context, namely psychological realism. This denotes fidelity to the truth in depicting the inner workings of the mind, the analysis of thought and feeling, the presentation of the nature of personality and character.” the words: depicting, workings and feeling function respectively as


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
verb, noun, verb.
B
verb, noun, noun.
C
noun, noun, noun.
D
noun, verb, noun.
05a7f16f-b7
UECE 2010 - Inglês - Análise sintática | Syntax Parsing

In the sentences: “… Flaubert produced ‘Madame Bovary’, which was greeted as a great work of realism.” and “Playwrights who favoured realism rejected the concept of the well-made play with its mechanical artifices and its altogether too slick plotting and exaggerated theatricalism.” one can find respectively a/an


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Restrictive adjective clause/ nonrestrictive adjective clause.
B
Restrictive adjective clause/ restrictive adjective clause.
C
Nonrestrictive adjective clause/ restrictive adjective clause.
D
Nonrestrictive adjective clause/ nonrestrictive adjective clause.
05a3db88-b7
UECE 2010 - Inglês - Análise sintática | Syntax Parsing

The sentences: “The realist thought an artist should concern himself with the here and now, with everyday events, with his own environment and with the movements (political, social, etc.) of his time.” and “Courbet rejected both Classical and Romantic precepts and tastes…” contain respectively a/an


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
subject noun clause/ subject noun clause.
B
subject noun clause/ object noun clause.
C
object noun clause/ indirect object.
D
object noun clause/ direct object.
059ff0b6-b7
UECE 2010 - Inglês - Análise sintática | Syntax Parsing

The sentences: “Realism started in France some time in the 1830s and had gathered momentum by the 1850s.” and “It rejects Classicism, Romanticism and the doctrine of art for art’s sake.” should be classified as


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
compound and compound.
B
complex and compound.
C
compound and simple.
D
simple and simple.
059c2711-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

Some of the characters portrayed as self-conscious narrators are


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Gide and Nabokov.
B
Romeo and Juliet.
C
Marcel and Tristram.
D
Don Juan and Bonnivard.
0598fb4c-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

The text says that François de Bonnivard


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Plays a protagonist in the poem The Statue.
B
Was kept as prisoner in the sixteenth century.
C
Got lost in a tropical paradise.
D
Keeps a diary about his travels.
0594493f-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

According to the text, Pale Fire is an example of


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
The poet speaking to himself.
B
An attempt to reveal the poet’s love.
C
A novelist writing an essay.
D
A reflexive novel.
058dad4e-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

An outstanding author who employed the fallible narrator was


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Henry James.
B
André Gide.
C
François de Bonnivard.
D
John Berryman.
058a1662-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

According to the text, Marcel Proust employed a technique that


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
uses the poet’s voice in his essay.
B
exposes discrepancies between what’s real and what’s not.
C
creates convincing romantic characters.
D
employs uncomplicated narrative devices.
0585a7d5-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

The three basic types of narrator were first defined by


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Byron and Milton.
B
T. S. Eliot and Joseph Conrad.
C
Aristotle and Plato.
D
Berryman and Longfellow.
0580cace-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

As to the self-conscious narrator, he/she


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
Does not keep a personal diary.
B
Relates to foregrounding and defamiliarization.
C
Uses formal language.
D
Expresses the muse’s inner voice.
057cec0e-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

The Heavenly Muse is invoked


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
by the Holy Spirit.
B
in Milton’s Book III.
C
when the third voice is introduced.
D
by the author in the first person.
0579348a-b7
UECE 2010 - Inglês - Interpretação de texto | Reading comprehension

In Paradise Lost, Milton was able to


CUDDON, J. A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin Books, 1998.  

A
show the Muse speaking in the third voice.
B
express John Berryman’s voice.
C
mix the three types of voice.
D
present the Holy Spirit addressing a large crowd.